Margot Robbie isn’t just promoting a film — she’s building a world around it.
The actress launched her Wuthering Heights press tour by leaning fully into method dressing, delivering a modern interpretation of late-18th-century romance with a sharp, contemporary edge. Styled by Andrew Mukumal, the creative force behind her Barbie era fashion dominance, Robbie stepped out looking like a rebellious heroine pulled straight from the moors — and dropped into 2026.
Her first look was a velvet-trimmed Roberto Cavalli minidress, complete with dramatic bell sleeves and a flirtatious, shortened hemline. The historical inspiration was unmistakable, but the execution was bold and modern. Ultra-high Christian Louboutin heels pushed the look firmly into fashion-forward territory.
Accessories elevated the moment even further. Robbie wore a striking ring by Cece Jewellery and a plush velvet choker finished with a large antique-style pendant — a ruby centerpiece surrounded by pearls and diamonds. The jewelry felt decadent, dramatic, and intentionally heavy, echoing gothic romance rather than delicate nostalgia.
Hair was the final, transformative touch. Styled by Bryce Scarlett, Robbie’s long blonde hair was crimped into textured waves, giving her an untamed, windswept presence. It wasn’t polished beauty — it was controlled chaos, perfectly suited to a character defined by emotional intensity.
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Later that evening, for Jimmy Kimmel Live, Robbie doubled down on the dark romance. She swapped velvet for sheer lace, stepping out in an Alexander McQueen design by Seán McGirr. The dress featured raw, uneven edges and textured floral motifs, blurring the line between fragility and strength. It felt antique and modern all at once — exactly the balance her press tour seems determined to strike.
This fusion of period silhouettes with contemporary disruption mirrors the vision behind the film itself. Director Emerald Fennell and costume designer Jacqueline Durran reimagined Wuthering Heights not as a museum piece, but as an emotional landscape. Their approach blends 1700s corsetry, tailored coats, and romantic blouses with modern materials like latex and intentionally deconstructed finishes.
The result is a story — and now a press tour — that feels raw, intense, and deliberately uncomfortable in the best way.
Robbie isn’t channeling Catherine Earnshaw gently. She’s reshaping her — wild edges, lace, velvet, and all.
