Paramount’s modern Western drama Landman made an impact the moment it debuted. It launched with a powerhouse lineup — Billy Bob Thornton, Ali Larter, Demi Moore, and Jon Hamm anchored the first season and established its gritty tone. When Season 2 arrived, co-creator Taylor Sheridan upped the ante once more, casting the iconic Sam Elliott as T.L. Norris, the father of Thornton’s character, Tommy Norris.
But amid all that star power, one newcomer quietly began commanding attention.
Cheyenne.
On the show, she’s a former exotic dancer turned physical therapist — strong, composed, and emotionally layered. In real life, she’s portrayed by Francesca Xuereb, and viewers quickly realized she’s not just another pretty face stepping into a supporting role.
Scroll through her social media and it’s obvious why fans are talking. Even in a casual selfie, Xuereb’s natural beauty stands out — effortless, striking, and camera-ready without trying too hard. But what really surprised audiences wasn’t her looks. It was her control.
A Reddit user singled out her performance in Episode 9 of Season 2, calling it unforgettable. They admitted she’s gorgeous — but emphasized that her acting left a bigger impression. The chemistry between her and Sam Elliott, they wrote, was electric. So much of it played out in silence. Glances. Pauses. Subtle shifts in expression. According to that viewer, she conveyed entire conversations without speaking a word.
Another commenter agreed completely, saying she deserves every bit of praise and hoping the role opens more doors for her.
The truth? This wasn’t her first time on screen.
Long before landing her role on Landman, Xuereb had quietly assembled an impressive list of credits. She made appearances in Pam & Tommy, Young Sheldon, The Sex Lives of College Girls, and Ted — spanning comedy, drama, and everything in between. Each project showcased a different side of her range and added depth to her growing career.
And her ambitions extend beyond performing.
In 2024, Xuereb moved into filmmaking, writing, directing, and starring in her own short film, Starved. The film earned the award for Best Experimental Short at the Progeny Short Film Festival, presented by Virginia Tech’s School of Performing Arts in Blacksburg, Virginia. It may not carry the prestige of Sundance, but an award is still an award — and it underscored her commitment to telling stories both in front of and behind the camera.
That combination is rare. Screen presence. Emotional range. Creative ambition.
She may have entered Landman as the “new girl” in a cast stacked with industry giants. But now? People are noticing her for more than just her beauty.
And judging by the momentum, this is only the beginning.
